I thought everything he did was really cool. “Some of the straight blues on the Beano album raised the bar for guitar playing. That was probably my first taste of the blues.
You have to understand that, at the time, we were a bunch of white boys from Los Angeles and we had no idea what the blues were. Thank you for signing up to Louder. I also think Clapton is an amazing songwriter and singer. This article originally appeared in issue 155 of Classic Rock magazine. - How Gary Moore, Jack Bruce and Ginger Baker made an album. This is Eric the artist reaching beyond his blues roots.”. There were a couple of songs that sounded ‘lounge band’ but the rest of the stuff took the top of your head off. Had To Cry Today sounds like it was recorded using the same Telecaster Eric played at the group’s Hyde Park gig in 1969 (actually a Telecaster body married to a maple Stratocaster neck). You will receive a verification email shortly. He went from Cream to do his own stuff and then play with Derek And The Dominos and JJ Cale. But Clapton’s reggae-fied arrangement of this Bob Dylan classic is a masterstroke. Ladies and gentlemen, give it up for Slowhand.
And Jesus… that sound. The ‘Rave Ups’ [instrumental interludes], which were backing up Eric, the solos – it was like the band were a slingshot ,and as soon as it soon as it hit that pocket he went sailing. They were a trio and there was a lot of activity in their playing, so that was an inspiration for Rush. That performance is so chilled, He’s just got it down, and his tone is so clean and pure and you can hear his fingers. Clapton is just gonna go for one solo, and he’s bringing it home, and Chuck Berry just goes: ‘Take another one!’ So Clapton takes another round. Neville Marten, former editor, Guitar Techniques: “I first heard Layla on the radio, right out of the blue, and thought, ‘What the…?’ I had no idea who it was, but the wall of guitars and the sheer might of the riff hooked me in a flash. Chuck Berry gets down on one knee in front of Eric Clapton. When he did them he was fully committed to pushing the envelope. “It was Cream that first impressed me. I think that’s been lost – an understanding of just how innovative Clapton was.”.
“No wonder, then, that George Harrison’s wife, Pattie, the subject of this ode to unrequited love, soon succumbed to its charms, and left George for Eric.”, Stephen Lawson: “Unlike Cream’s reworking of Robert Johnson’s Crossroads Blues, Clapton’s cover of JJ Cale’s Cocaine sticks closely to the original. who is that?’ Then when Disraeli Gears came out… forget about it, it was over for guys like me. He’s one of the architects of modern guitar as we know it. Welcome to WatchMojo.com, and today we're counting down our picks for the top 10 Eric Clapton songs. Check us out at http://www.Twitter.com/WatchMojo, http://instagram.com/watchmojo and http://www.Facebook.com/WatchMojo Special thanks to our users Paige Downs, Salival, Jimmy Washington, richardbain and aldqbigsquare for submitting the idea on our Suggest Page at WatchMojo.com/suggestCheck out the voting page here, http://watchmojo.com/suggest/Top%2010%20Eric%20Clapton%20SongsIf you want to suggest an idea for a WatchMojo video, check out our interactive Suggestion Tool at http://www.WatchMojo.com/suggest :)We have T-Shirts! And make sure you listen to the right one. He’d be the first to say that he doesn’t play like that any more. For this alone, it’s a worthy favourite among Clapton fans. Receive news and offers from our other brands? Clapton just stood out from the crowd. Admittedly Robertson does seem to take his playing up a notch here, but if this was a competition there’d be only one winner. Eric Clapton was just like, ‘Oh, that’s what my parents like.’ But I wasn’t anywhere close to being ‘cool’ at that age, and my dad had a great taste in music.
His vibrato and his feel says it all. © It was just him doing blues covers, using his own style, but making each track a little tribute to his heroes. This interlude features some quick chord changes, and Clapton does an impressive job of outlining each chord as he wails away, wah-wah pedal rocking riotously at his heel. People like the Shadows were around back then, so the Blues Breakers were something completely new – they had such an incredible and fresh sound. You would suck cock to play like him. And that’s amazing. He did a version of Five Long Years that’s just unbelievable. I was at grammar school, and I went to a friend’s house, and his older brother had Fresh Cream. Hail! The only way I can describe it is that it’s totally on the edge, about to descend into chaos, but just managing to hold itself from the brink. “Personally my favourite Eric Clapton moments are him with Delaney & Bonnie, and one of my favourite songs is I Don’t Know Why. I loved his tone on the Strat, but also his phrasing; the way he lets the notes breathe makes what he plays next sound really important.”, Stephen Lawson: “The uncon-ventional structure Presence Of The Lord was perhaps a sign of Clapton’s growing confidence in his ability as a songwriter. Stephen Dale Petit: “Once I got a guitar and it was known in the neighbourhood that I was a guitar-mad kid, friends would bring over their older brothers’ record collections, and that’s when I first heard of Clapton. Their version of Chuck Berry’s Too Much Monkey Business was such a blueprint for a lot of what Aerosmith tried to do.
He constructed solos that were like songs in themselves. But that’s like having a twenty-inch cock: it’s great to show your friends, but what are you gonna do with it? Nope, this for me is Clapton at his best. Really? Keith Richards is there, and Robert Cray, all these cats, all to honour Chuck Berry. Every guitar player I knew had that record on their turntable and tried to get that sound and learn those licks. Eric switches between the mean main riff and hybrid picked arpeggios, showing a sensitivity to his playing that was often unnoticed amid the blitzkrieg of Cream at their height.”, Philip Sayce: “My favourite Eric Clapton moment? He doesn’t have to prove anything to any of you weenie journalists. Anybody who says Clapton is too safe or has lost his edge needs to listen to that song. The heart and soul is what lasts. I remember it very clearly. Visit our corporate site. But check out the repeated string bend halfway through.
Be sure to check out http://www.WatchMojo.com/store for more info. It may have taken Hendrix’s Voodoo Chile to propel the wah-wah pedal to sonic heights of virtuosity, but Eric’s wah-wah pedal work remains both inspiring and exciting.”. Who’s saying that? I certainly learned a lot from Clapton. Top Songs by Eric Clapton. “The Beano album captures a time when the British blues scene caught fire. He just fucking kills it. But that’s like having a twenty-inch cock: it’s great to show your friends, but what are you gonna do with it? “I still love Steppin’ Out, one of the instrumentals on the Blues Breakers With Eric Clapton album. What is that music you’re playing?
The stripped-down arrangement and the sense of restraint on this track prove one thing: that Clapton needs only a few notes to blow you away.”. That to me says Eric was totally caught up in the moment, in the emotion of that brilliant arpeggiated chord sequence. It may sound like an oxymoron, but Clapton definitely had the same punk attitude.
Any guitarist that tells you they were not influenced by what he did, not even just a little bit, is probably a liar.”. I remember playing this keg party, and someone came up to me and said: ‘You were amazing. is an explosion of pent-up lust, propelled skywards by Jim Gordon’s brilliant drumming. Oli Brown: “Most of my friends at school listened to Radio 1. The first two beats of Cale’s riff mimic those Cream’s, Sunshine Of Your Love. I spoke to him recently about that solo and he can’t really remember it.
That was a cracking time.
Bath The latter recasts After Midnight as a skulking minor blues with a studio sheen reminiscent of its era. It was great for guitar players because it inspired you to go away and try to learn what you’d heard. Sign up below to get the latest from Louder, plus exclusive special offers, direct to your inbox! Please refresh the page and try again. Thematically it stays true to the world-weary condition of Dylan’s protagonist, but the effect is bittersweet, not sour.
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